Jaap Buitendijk/TriStar Pictures
T2 Trainspotting (2017)
Being young is easy, in that many of your choices are made for you. You can’t control where you live or where you go to school. Your social circles are the ones your family moves in. The kids you spend time with on the playground become your friends. In many places with a homogenous background you all know the same things. You sing the same songs; tell the same stories; eat the same food; go the same places.
And then you grow up some, and start making choices. To cut your hair this way or that way. To play this sport or that instrument. To watch this program on the telly instead of that one; to love this band instead of that one; to have this tattoo or that piercing; to love this person instead of that one. So you grow apart from certain people because of these choices, and closer to others due to your interest in the same things. And then you fall in love and choose someone to spend your time with and that narrows things down still. And then you wake up one day – when you’re much older than you’d ever thought you’d be – and you have to reckon with all of your choices.
The 1996 film “Trainspotting” was famously about a group of junkies who “choose not to choose.” All their energy was on getting money for their next fix. The ferocity and single-mindedness with which they pursued their happiness through drugs catapulted “Trainspotting” past being another after-school special into a worldwide phenomenon. Its lust for life (sorry) was a rare thing, and the movie has absolutely stood the test of time. A sequel was not, of course, inevitable; who could imagine the characters would all live so long? But here it is; and here we are.